Exhibition

Halsey Rodman: Gradually/We Became Aware/Of a Hum in the Room

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, installation at High Desert Test Sites, near Joshua Tree, CA, 2014. Photo: John Pearson

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Halsey Rodman, Gradually/We Became Aware/Of a Hum in the Room, digital rendering of installation at High Desert Test Sites, near Joshua Tree, CA, 2013. Courtesy the artist

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New Commissions

Halsey Rodman: Gradually/We Became Aware/Of a Hum in the Room

Halsey Rodman

May 31, 2014–May 31, 2016
High Desert Test Sites
Joshua Tree, CA

Download press release here.

PRESS
ON VIEW: An Artist’s Dueling Landscapes, Kareem Estefan, T Magazine, November 18, 2013. View article.
ARTISTS ON ARTISTS: Halsey Rodman by Ulrike Müller, BOMB Magazine, Spring 2013. View article.
Something Borrowed: Halsey Rodman, Laura Raskin, Architectural Record, August 2014. View article.

EXHIBITION
Art in General is pleased to present Halsey Rodman’s Gradually/We Became Aware/Of a Hum in the Room, a New Commission in collaboration with High Desert Test Sites, Joshua Tree, CA.

Gradually/We Became Aware/Of a Hum in the Room presents a temporally distributed architectural structure conceived for two locations: the desert of High Desert Test Sites, Joshua Tree, CA and Art in General’s 6th floor gallery in the heart of downtown New York City. The work begins in the desert as a triangular building divided into three identical rooms. Each room has a circular window looking out upon the landscape and contains a series of near-identical “fixtures”: a desk, a chair, and a shelf. The interior and fixtures are painted distinct colors according to the single descriptive text below.

I AM THINKING OF A REVERSE SUNSET THAT NEITHER OF US HAS EVER SEEN: WHAT YOU SEE IN THE SKY OPPOSITE THE SUNSET.

WHAT SURROUNDS THE PRISM IN THE DESERT IN THE FUTURE IS OUT OF REACH SO

I WILL PULL THESE COLORS FROM THE AIR.

FOUR COLORS ABOVE THE TAN DESERT SCRUB IN THE GRAYING SKY FADE
TOWARDS THE LIGHT BLUE DUSK: DUSTY PURPLE, MAGENTA, FADING RED, PEACH AND ON INTO THAT AIRLESS BLUE

THE FIFTH COLOR IS YELLOW: THE CONE OF A FLASHLIGHT IN A PITCH
BLACK ROOM

One year later the work will be dismantled, transported, and reassembled inside Art in General’s gallery, the previous exterior walls unfolded to become the interior. The three (formerly) exterior walls create a central, open triangular area and the interiors and walls of the rooms will be splayed-out around the perimeter. All windows in the gallery are open, allowing the shifting light to filter in, clock-like, from the outside. The presence of the desert landscape is collapsed into the center of the inside-out structure, an exterior folded in upon itself. This inverted structure, now established as a zone of exchange, interpenetration, and blurring between interior and exterior, suggests a consensual, productive encounter of time and architecture.

Halsey Rodman (b. 1973) is an American artist living and working in New York, NY. Rodman received his BA from the College of Creative Studies at the University of Santa Barbara in 1995 and his MFA from Columbia University in 2003. Rodman has been the subject of solo exhibitions including Cave System or Ear Canal, Soloway, New York, NY (2013); The Birds, Guild & Greyshkul, New York, NY (2008); The Navigator’s Quarters Must Not Be Disturbed, Guild & Greyshkul, New York, NY (2006); among others. His work has been exhibited in numerous group exhibitions including A Room in Three Movements, Sue Scott Gallery, New York, NY (2011); in here, Laurel Gitlen, New York, NY (2010); The Line of Time and the Plane of Now, curated by Jacob Dyrenforth, Ohad Meromi, and Halsey Rodman, Harris Lieberman, New York, NY (2007); among others. His work has been the subject of articles in The New York Times, The Village Voice, The Brooklyn Rail, TimeOut New York; among others.

Founded in 2002, High Desert Test Sites, is a non-profit organization that pays tribute to inspirational figures in our surrounding community and generates dialogue and reciprocal exchange with international contemporary artists and critical thinkers whose practices transcend traditional art world formats. Over the last eleven years HDTS has endeavored to encourage experimental art that engages with the world at large. They support and draw attention to independent projects that happen outside of the auspices of larger institutions and challenge artists and audiences to expand the definition of art to take on new areas of relevancy. highdeserttestsites.com

High Desert Test Sites is grateful to their generous supporters and volunteers, including Malado Francine Baldwin, Luke Davis, Josephine Edmondson, Lauren Gallow, Anna Ialeggio, Hannah Jackson, Sophie Stid, and Angie Terry.



Additional support for Gradually/We Became Aware/Of a Hum in the Room provided by Guerra Paints with special thanks to Eric/Blumberg Designs and Vance Wellenstein & Phil Lubline/Other Means, and Toporovsky Triplets



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General Support of Art in General is provided by General Hardware Manufacturing Inc.; the Institute of Museum and Library Services; the Lambent Foundation; the New York State Council on the Arts with support of Governor Andrew Cuomo and the New York State Legislature; The Greenwich Collection; Milton and Sally Avery Arts Foundation; the William Talbott Hillman Foundation; and by individuals. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

The New Commissions Program is made possible by the Andy Warhol Foundation for the Visual Arts; Trust for Mutual Understanding; National Endowment for the Arts; and Jerome Foundation. Support has also been provided by Commissioners’ Circle leaders Jeffery Larsen and Joseph Bolduc; Commissioners’ Circle supporters Sandra Ho and Jang Kim, and Cher Lewis, and Commissioners’ Circle members Roya Khadjavi-Heidari, Mary Lapides, Richard Massey, Leslie Ruff, and Jeremy E. Steinke.

Additional special event support provided by ROOT[Drive-In]

NYC Department of Cultural Affairs logo      IMLS logo      Jerome Foundation logo Lambent Foundation logo National Endowment for the Arts logoNew York State Council on the Arts logo

PRESS

  • Laura Raskin, ‘Something Borrowed: Halsey Rodman,’ Architectural Record, August 2014. View article.
  • Kareem Estefan, ‘ON VIEW: An Artist’s Dueling Landscapes,’ T Magazine, November 18, 2013. View article.
  • ARTISTS ON ARTISTS: Halsey Rodman by Ulrike Müller,’ BOMB Magazine, Spring 2013. View article.