Exhibition

Jill Magid: Woman With Sombrero

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Jill Magid. Installation View from Woman With Sombrero at Art in General, 2013. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. Installation View from Woman With Sombrero at Art in General, 2013. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. Installation View from Woman With Sombrero at Art in General, 2013. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. VitraFutura/Futura and Luis Barragán Alphabet, 2013. Diptych. Pencil on Mylar. 20.5” x 26.5”. Dividing wall after Luis Barragán. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. VitraFutura/Futura and Luis Barragán Alphabet, 2013. Diptych. Pencil on Mylar. 20.5” x 26.5”. Dividing wall after Luis Barragan. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. VitraFutura/Futura and Luis Barragán Alphabet, 2013. Diptych. Pencil on Mylar. 20.5” x 26.5”. Dividing wall after Luis Barragán. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. My letter of September 16, Your letter of September 16, 2013. Letters, Refectory cross (modified) inspired by Luis Barragán. 2 letters 8.5” x 11”; 1 iPad, Platform: 4.5′ × 2′. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. Dearest Federica, 2013. 80 slides, slide projector, audio. Dimensions Variable. Low Table after Luis Barragán. Image courtesy the artist and Art in General. Photography: Steven Probert.

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Jill Magid. Der Trog, 2013. Installation: Facistol (pine lectern inspired by Luis Barragán, mounted reproductions from Luis Barragán’s personal archive), architectural model. Dimensions variable. Courtesy of Yvon Lambert, Paris and RaebervonStenglin, Zurich.

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Jill Magid. Installation View from Woman With Sombrero at Art in General, 2013. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. Installation View from Woman With Sombrero at Art in General, 2013. Image courtesy the artist and Art in General. Photography: Steven Probert

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Jill Magid. Dearest Federica, 2013. 80 slides, slide projector, audio. Dimensions Variable. Low Table after Luis Barragán. Image courtesy the artist and Art in General. Photography: Steven Probert.

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RELATED EVENTS

Nov 7, 2013
Special Event
Performa 13: Jill Magid
Nov 2, 2013
Opening
Jill Magid: Woman With Sombrero
Nov 2, 2013–Dec 21, 2013
Exhibition
Woman With Sombrero
New Commissions

Jill Magid: Woman With Sombrero

Jill Magid
Curated by Anne Barlow

November 2 – December 21, 2013

This new commission is presented as Art in General’s contribution to Performa 13, New Visual Art Performance Biennial.

PRESS
I Am a Spy Camera: Jill Magid’s Creepy Surveillance Art, Kim Levin, ARTnews, June 9, 2014. View article.
Artists in Conversation: Jill Magid, Jovana Stokic, BOMB Magazine, May 13, 2014. View article.
NEW YORK: Jill Magid, Wendy Vogel, Modern Painters, March 2014. View article.
REVIEWS–NEW YORK: Jill Magid, Colby Chamberlain, Artforum, February 2014. View article.
Artist Project / The Barragán Archives–Jill Magid, Cabinet, Issue 51. View article.
Art in Review–Jill Magid: “Woman With Sombrero, Ken Johnson, The New York Times, November 28, 2013. View article.
Critics’ Pick, Sarah Lookofsky, Artforum, November 13, 2013. View article.
Jill Magid Explores Architect’s Contested Legacy, Kylie Gilchrist, Art in America, November 13, 2013. View article.
The Lookout: Jill Magid at Art in General, Art in America, November 9, 2013. View article.
Artists to Watch in Performa 13: Jill Magid, Ali Pechman, Artspace, November 4, 2013. View article.
Tug of War Stretches Architect’s Legacy: Luis Barragán Homage Tweaks Vitra, the Copyright Owners, Randy Kennedy, The New York Times, November 3, 2013. View article.
Atlas of Intimacy: Jill Magid with Jarrett Earnest, Jarrett Earnest, The Brooklyn Rail, October 3, 2013. View article.

EXHIBITION
What does it mean for a corporation to own an artist’s legacy? This question forms the core of Jill Magid’s latest work Woman With Sombrero, the first part of an ongoing multi-media project entitled The Barragán Archives, which examines the legacy of Mexican architect and Pritzker Prize-winner Luis Barragán (1902–1988).

For Art in General’s exhibition, based on Barragán’s personal archive and library that Magid studied in Mexico City, complex personal and historical situations are explored through furniture, sculpture, photographs, and film referencing the architect’s home and life – as well as an audio recording with slides relating to the architect’s intimate correspondence with numerous women. Refused access at this time to the professional archive, now owned by Vitra and located in Switzerland, the artist instead inserts gestures and invitations to make space for that which she does not know and cannot see. Taking the law as a raw material of the work, Magid frames books as readymades, avoiding copy infringement. Ideas of obsession and ownership, versus authorship and preserving legacy, collide in this investigation.

BACKGROUND
Along with the vast majority of his architecture, Barragán’s personal archive remains in Mexico under the guardianship of the Fundación de Arquitectura Tapatía Luis Barragán. His professional archive—including the rights to the architect’s name and work—was acquired in 1995 by Swiss furniture company Vitra under the auspices of the newly founded Barragan Foundation located in Birsfelden, Switzerland. The foundation is directed by Federica Zanco, architect, author, and the wife of Rolf Fehlbaum, Chairman of the Board of Vitra.

In this project, Magid examines what it means for a major part of Barragán’s heritage to be outside of Mexico and to have limited access. Exploring the intersection of the psychological and the judicial, national identity and repatriation, international property rights and copyright law, Magid re-imagines and re-presents material from the archives based on its legal status. In the process, she explores her role as an artist and a researcher in relation to the roles of Barragán and Zanco.

Woman With Sombrero is Jill Magid’s first major project with Art in General. A reading from her Failed States book took place at Art in General in October 2012 following her recent inclusion in the 5th Bucharest Biennale, curated by Anne Barlow in 2012.

JILL MAGID
Brooklyn-based, artist and writer Jill Magid forms intimate relationships with systems of power, including police, military, secret service, corporations, and CCTV surveillance. For Magid, power is not a remote condition to contest, but rather something to manipulate – drawing it closer, exploiting its loopholes, engaging it in dialogue, infiltrating its structure, repeating its logic. With solo exhibitions at institutions around the world including Tate Modern, London; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Tate Liverpool; the Stedelijk Museum Bureau Amsterdam; Yvon Lambert, Paris and New York; Gagosian Gallery, New York; and the Security and Intelligence Agency of the Netherlands, Magid has received awards from the Fonds Voor Beeldende Kunsten and the Netherland-American Foundation Fellowship Fulbright Grant. Magid has participated in the Liverpool, Bucharest, Singapore, Incheon, and Gothenburg Biennials. She is a newly appointed Associate of the Art, Design and the Public Domain program at the Graduate School of Design at Harvard University, and a 2013-15 fellow at the Vera List Center for Art and Politics. Magid is the author of four novellas.

All the works in the exhibition are courtesy of the artist and Yvon Lambert, Paris. Art in General thanks Yvon Lambert, Paris, RaebervonStenglin, Zurich, and LABOR, México for their support in the development of this project. Special thanks to Daniel McClean, Ms. Magid’s legal consultant for this project.



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General support of Art in General is provided by General Tools & Instruments LLC; the Lambent Fund of the Tides Foundation; Abraham and Lillian Rosenberg Foundation; the New York State Council on the Arts with support of Governor Andrew Cuomo and the New York State Legislature; ConEdison; The Greenwich Collection; Milton and Sally Avery Arts Foundation; Select Equity Group Foundation; and by individuals. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

The New Commissions Program is made possible by the Andy Warhol Foundation for the Visual Arts; Trust for Mutual Understanding; National Endowment for the Arts; Jerome Foundation; and Affirmation Arts Fund. Support has also been provided by Commissioners’ Circle leaders Jeffery Larsen and Joseph Bolduc; Commissioners’ Circle supporters Sandra Ho and Jang Kim, and Cher Lewis, and Commissioners’ Circle members Roya Khadjavi Heidari, Sean Johnson, Mary Lapides, Richard Massey, Leslie Ruff, Joyce Siegel, and Jeremy E. Steinke.

Additional special event support provided by Effen Vodka, Old Grand Dad Whiskey, Hornitos Tequila, and ROOT [Drive-In].

Art in General funders

PRESS

  • Kim Levin, ‘I Am a Spy Camera: Jill Magid’s Creepy Surveillance Art,’ ARTnews, June 9, 2014. View article.
  • Jovana Stokic, ‘Artists in Conversation: Jill Magid,’ BOMB Magazine, May 13, 2014. View article.
  • Wendy Vogel, ‘NEW YORK / Jill Magid,’ Modern Painters, March 2014. View article.
  • Colby Chamberlain, ‘REVIEWS–NEW YORK: Jill Magid,’ Artforum, February 2014. View article.
  • ‘Artist Project / The Barragán Archives–Jill Magid,’ Cabinet, Issue 51. View article.
  • Ken Johnson, ‘Art in Review–Jill Magid: “Woman With Sombrero”,’ The New York Times, November 28, 2013. View article.
  • Sarah Lookofsky, ‘Critics’ Pick,’ Artforum, November 13, 2013. View article.
  • Kylie Gilchrist, ‘Jill Magid Explores Architect’s Contested Legacy,’ Art in America, November 13, 2013. View article.
  • ‘The Lookout: Jill Magid at Art in General,’ Art in America, November 9, 2013. View article.
  • Ali Pechman, ‘Artists to Watch in Performa 13: Jill Magid,’ Artspace, November 4, 2013. View article.
  • Randy Kennedy, ‘Tug of War Stretches Architect’s Legacy: Luis Barragán Homage Tweaks Vitra, the Copyright Owners,’ The New York Times, November 3, 2013. View article.
  • Jarrett Earnest, ‘Atlas of Intimacy: Jill Magid with Jarrett Earnest,’ The Brooklyn Rail, October 3, 2013. View article.