The first US solo exhibition of Alberto Casado’s work, this show presents works that address Cuba’s cultural, religious, and political issues from both the past and the present. Using a technique that he learned while working as a fabricator of “kitsch” religious objects, Casado applies serigraphic inks to various glass surfaces, which are then placed atop a layer of crumpled, painted aluminum foil; the result is a shimmering, luminescent effect that brings depth to his highly saturated colors. A catalogue was published on occasion of the exhibition, which includes essays by exhibition curator Holly Block and poet Orlando Hernández.